“Once in a while you get shown the light
In the strangest of places if you look at it right.”
That line from Scarlet Begonias (lyrics by Robert Hunter, melody by Jerry Garcia) has followed generations like a benediction disguised as a song lyric. Released in 1974 on the Grateful Dead album From the Mars Hotel, it has become something more than poetry. It is a philosophy of attention, a reminder that meaning does not always announce itself with ceremony. Sometimes it arrives quietly, sideways, disguised as coincidence or contradiction.
Medicine, particularly now, is desperate for that reminder.
These are pessimistic times. The daily headlines read like a running differential diagnosis of despair: war, antisemitism, Islamophobia, political violence, ecological anxiety, institutional mistrust, and a health care system that often feels as brittle as it is overburdened. Physicians and other clinicians absorb this darkness both professionally and personally. We see it in our patients’ eyes, in the exam room silences, in the moral residue we carry home after yet another no-win day.
And yet, once in a while, we are shown the light.
The Hanukkah story can be viewed, at its core, as a medical story. A small, vulnerable group confronting overwhelming odds. A refusal to accept extinction as inevitable. A stubborn insistence that light, however limited, still matters. One candle on the first night, not eight. No grand miracle at the outset. Just enough to begin.
This year, that symbolism collided painfully with the modern world. A deadly antisemitic attack at a Hanukkah celebration on Bondi Beach in Australia sent shockwaves across Jewish communities worldwide. In communities across this nation, rabbis and organizers responded not by retreating, but by increasing security and lighting menorahs anyway (publicly, defiantly, deliberately). As one rabbi put it, “Darkness does not win by force, it loses when light appears.”
That sentence should be carved above the entrance to every hospital.
What struck many observers most, however, was an added layer of irony that felt almost scripted by Robert Hunter himself: The hero who tackled one of the Bondi Beach shooters and saved countless Jewish lives was Muslim. In a world increasingly addicted to rigid identity narratives, the light appeared in a place many had been conditioned not to look.
This is what Scarlet Begonias is really about. Not naïve optimism. Not denial of danger. But the discipline of perception.
In the song, the narrator doesn’t seek enlightenment. He’s walking through Grosvenor Square, mildly uncomfortable from the “nip to the air,” not expecting revelation. The encounter that changes him is fleeting and ambiguous: “I had to learn the hard way to let her pass by,” he tells us. And yet the irony, rarely noted, is that in life she did not pass by at all. The woman with the scarlet begonias became Robert Hunter’s wife, Maureen, a reminder embedded in the line that comes just before the famous one: “It seldom turns out the way it does in the song.” The wisdom arrives anyway, not because it was pursued or predicted, but because it was recognized, after the fact, and only by looking at it right.
Medicine works the same way. We are trained to search relentlessly (for diagnoses, for causes, for answers). But light is not always found through pursuit. Sometimes it arrives through presence. Through noticing. Through being willing to revise the story we think we’re in.
Does the light come to us? Do we need to search for it? Or is it simply serendipity?
The answer is: Yes.
There are moments when we must actively seek light (advocating for patients, resisting dehumanizing systems, speaking when silence would be easier). There are other moments when searching too hard blinds us to what is already there: a quiet act of courage by a trainee, a patient’s unexpected grace, a colleague’s moral clarity in a meeting where everyone else shrugs.
And then there are moments of pure serendipity, when goodness appears uninvited, inconveniently contradicting our assumptions.
The Muslim man who saved Jewish strangers on an Australian beach did not wake up planning to become a symbol. The rabbis who lit menorahs after a massacre did not erase the darkness. They simply refused to let it dictate the ending.
This matters deeply for medicine.
Health care has become obsessed with outcomes while neglecting meaning. We measure burnout, yet moral injury deepens. We talk about resilience as if it were an individual trait rather than a communal obligation. We forget that light is cumulative. One candle doesn’t end the night, but it changes the room.
For clinicians, recognizing light requires unlearning some habits. We are trained to spot pathology, to anticipate worst-case scenarios, to prepare for complications. These skills save lives. But they can also narrow our field of vision. When everything is framed as risk, we miss wonder. When every story is reduced to a problem list, we miss the person.
The seasonal convergence of Hanukkah and Christmas offers a corrective. Both traditions insist that light does not eliminate suffering; it coexists with it. A manger is not a glorified birthplace; it is a feeding trough. A menorah burns under occupation, in a land not yet free. Neither story promises ease. But both promise hope.
The deepest forms of hope do not eliminate hardship; they refuse abandonment. That is as true at the bedside as it is in ancient stories of light. That may be the most radical lesson medicine can reclaim right now.
Optimism in medicine does not mean pretending systems aren’t broken or that the world isn’t on fire. It means believing that attention still matters. That care still counts. That ethical action is not rendered obsolete by scale or cynicism.
Once in a while, we are shown the light (in an ICU hallway, in a refugee clinic, in a parking lot menorah lighting guarded by police, or in the arms of someone we were taught to fear).
If we look at it right.
And if we don’t look away.
In pessimistic times, that may be the most clinical skill of all.
Arthur Lazarus is a former Doximity Fellow, a member of the editorial board of the American Association for Physician Leadership, and an adjunct professor of psychiatry at the Lewis Katz School of Medicine at Temple University in Philadelphia. He is the author of several books on narrative medicine and the fictional series Real Medicine, Unreal Stories. His latest book, a novel, is Standard of Care: Medical Judgment on Trial.






